Andrea 

Gomez

ontooz

studio

landscapes

 

beyond the likeness

 the non-portrait

bonafides

   
 

cloud studies

portraits of

the specially loved

herself

courtroom

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View a Portrait's Progress

   

     

                         

 

 

 

 

 

 

 

The portrait, any portrait, is just one still instant

in a life composed of millions of instants.

I think of it as less a stop frame movement and

more the sum of all those instants. Some of our

attributes are present throughout our lives;

some are more fleeting. It is my job to sort

through it all, pick and choose which attributes

I wish to portray to tell the truest story of

the individual.

The next step:   Portraits benefit from the

subject posing while I paint; and yet

I find that this circumstance becomes

less and less possible for many reasons.

I take my own source photographs,

that is photos of the subject from many angles,

in many environments, during various moods

and activities. These, in addition to the archive

of family images, provide a range of identity

that help me design the image.

 

PORTRAIT PROCESS

When you view my portraits, you will not see convention or simple facsimile. Instead, hopefully you will see my interest in the physical representation of a person's personality or history or loves or accomplishments or any combination of these elements. The subject or the subject's family and friends are very important in this process as I depend on them to give me the dimensions missing from a photograph or even sitting sessions. Who is the subject? What does she represent to her loved ones, to the world, to herself? What place is most like home for her: her living room, the sea, the mountains, surrounded by her children?

 

A patron, whether he is the subject of the work or the commissioner, can expect to be very involved in the portrait process.

 

I request photographs of the person from babyhood to maturity. We have conversations about the subject and eventually personality and life interests and goals are identified. Many times other dimensions of the person’s life surface and subtly find their way into the painting.

The medium depends on the patron’s needs and/or how I see the subject. 

I work in oil, watercolor or pastel.

Four Sisters and a Bowl of Waxed Fruit, oil

 

Young Couple in Splendid Love, watercolor  

 

 

 

     

 

 

 

 

 

All work on this site © 2004 by Andrea Gomez, all rights reserved. Unauthorized copying, reproduction, republishing, posting or duplication of any of the material on the web site is prohibited without express written permission from Andrea Gomez. The artist reserves to herself all rights of reproduction and all copyright of her work.

Obsessively updated regularly.  Last update: March 2012